Wed Mar 8, 6:00 PM - Wed Mar 8, 8:00 PM
Instituto Cervantes of Chicago
31 W. Ohio St., Chicago, IL 60654
Community: River North
Description
Instituto Cervantes of Chicago
Event Details
FREE and open to the public but reservations are required.
RSVP at http://www.brownpapertickets.com
Space is limited so please save your spot early!
All tickets will be held at the door.
For more information, please visit http://chicago.cervantes.es/
THE SCENIC ARTS IN SPAIN
The aim is to present the current state of the structures in which the performing arts are developed in Spain at different levels of production, exhibition, legislation on performing arts, festivals and exhibitions, theatrical circuits, financing, etc. In all these cases, the analysis is based on the two-pronged perspective of State responsibility on these issues, mainly through the Ministry of Culture - and more specifically INAEM - and, on the other hand, analyzing the work that Is carried out by autonomous governments and local entities. Reference will also be made to the role of the different languages of the State in the performing arts as a whole and to the importance of the public sector vis-à-vis the private sector in the economic sphere.
JUAN V. MARTÍNEZ LUCIANO (Alicante, 1955)
PhD in Anglo-Germanic Philology, he is Professor of English Philology at the University of Valencia, where he teaches mainly related to the Contemporary Theater in English Language.
As a complement to his teaching and research activities, he has published several monographs, articles, etc. related to the theater and, in addition to translating to Shakespeare, he has made numerous adaptations and theatrical versions of authors such as Harold Pinter, Arnold Wesker, Christopher Durang, Henrik Ibsen, John Godber, Nigel Williams, Tennessee Williams, Kevin Elyot, Paul Auster, Tom Stoppard, Samuel Beckett, etc. In 2010 she received the "María Martínez Sierra" Prize awarded by the Association of Directors of Scenes (ADE) to the Best Theater Translation for The Coast of Utopia by the English playwright Tom Stoppard.
Currently Artistic Director of the Festival "Sagunt a Escena" on behalf of the Valencian Institute of Culture of the Department of C
RSVP at http://www.brownpapertickets.com
Space is limited so please save your spot early!
All tickets will be held at the door.
For more information, please visit http://chicago.cervantes.es/
THE SCENIC ARTS IN SPAIN
The aim is to present the current state of the structures in which the performing arts are developed in Spain at different levels of production, exhibition, legislation on performing arts, festivals and exhibitions, theatrical circuits, financing, etc. In all these cases, the analysis is based on the two-pronged perspective of State responsibility on these issues, mainly through the Ministry of Culture - and more specifically INAEM - and, on the other hand, analyzing the work that Is carried out by autonomous governments and local entities. Reference will also be made to the role of the different languages of the State in the performing arts as a whole and to the importance of the public sector vis-à-vis the private sector in the economic sphere.
JUAN V. MARTÍNEZ LUCIANO (Alicante, 1955)
PhD in Anglo-Germanic Philology, he is Professor of English Philology at the University of Valencia, where he teaches mainly related to the Contemporary Theater in English Language.
As a complement to his teaching and research activities, he has published several monographs, articles, etc. related to the theater and, in addition to translating to Shakespeare, he has made numerous adaptations and theatrical versions of authors such as Harold Pinter, Arnold Wesker, Christopher Durang, Henrik Ibsen, John Godber, Nigel Williams, Tennessee Williams, Kevin Elyot, Paul Auster, Tom Stoppard, Samuel Beckett, etc. In 2010 she received the "María Martínez Sierra" Prize awarded by the Association of Directors of Scenes (ADE) to the Best Theater Translation for The Coast of Utopia by the English playwright Tom Stoppard.
Currently Artistic Director of the Festival "Sagunt a Escena" on behalf of the Valencian Institute of Culture of the Department of C